I left Park Chan-wook’s latest romance-mystery-thriller feeling confused and unsatisfied. It’s true that Decision to Leave is beautifully directed, but the plot leaves much to be desired.
The film Tár at Images Cinema tells the story of a composer-conductor with an impeccable resume who sows the seeds of her own downfall from the upper echelons of the classical music world. Despite grappling with victimhood, reputation, and artistry, I feel Tár fails to deliver all it promises.
As springtime arrives and the temperature begins to spike, Images Cinema’s annual Fresh Fest is in full swing. The festival features an array of eye-opening documentaries and non-fiction dramas showcasing stories of human-environment interaction with messages about how farming and food production impact culture.
Robert Eggers’ newest film based on Norse folklore is sure to satisfy fans of Viking dramas, cinematic gore, and Nicole Kidman. A revenge tale of enormous scale, The Northman packs its two-hour runtime...
Every once in a while, a movie comes along that is so radically new and original you leave the theater with a changed perception of what movies can be, what they can do, and where they are going.
The Animated Shorts Oscars category is always a tense competition, and this year rounded up five powerful films from six different countries: Robin, Robin, БоксБалет (Boxballet), Affairs of the...
Staff Writer John Aste reviews Parallel Mothers, a Spanish film that tells the story of two women connected by the shared experience of both history and motherhood.
Katya Ulyanov ’24 and Justin Piccininni ’24 write that Wes Anderson's latest film — which explores finding meaning in boring lives — is sure to become a cult classic.
