In the last few years, the patch of grass between Hopkins Hall and Sawyer Library has been filled with structures made by architecture students. This year, the class assignment for “Architectural Design II” was to create a space for contemplation.
I walked into one of the College’s student bands, The Kicks’, Nov. 16 practice a little after 9 p.m., just in time to hear their lively rendition of a-ha’s “Take on Me.” They were rehearsing ahead of their Currier Ballroom performance at the crew formal on Saturday, Nov. 20. That weekend, which was the last weekend before November Break, boasted abnormal amounts of live music.
The first time Aiden Pham ’24 walked into the lobby of Sawyer Library, he expected shelves upon shelves of books. Instead, he found a collection of zines made by students.
The Clark Art Institute opened Competing Currents: 20th-century Japanese Prints on Nov. 7. The exhibition was curated by Oliver Ruhl, who graduated from the College’s master’s program in art history in 2021.
Katya Ulyanov ’24 and Justin Piccininni ’24 write that Wes Anderson's latest film — which explores finding meaning in boring lives — is sure to become a cult classic.
Art has a long history in social protest, and Friday morning’s gray clouds and rainy weather cleared up just in time for students to cover Paresky Center’s wet steps with vibrant chalk drawings and posters calling on the College to publicly divest from fossil fuels.
To Auyon Mukharji ’07, one quarter of the band Darlingside, returning to perform in Baxter Hall on Nov. 5 felt like “coming home.” Over the course of the evening, the band’s first performance on campus since June 2019, Darlingside serenaded the College community, cracked jokes among themselves, and even inspired a short dance number from two audience members.
A tragic exploration of reproduction and the societal pressures of heterosexual relationships is reviving the theatre department’s in-person productions. Yerma, which premieres Nov. 11 and runs until Nov. 14, will be the first in-person theatre department show since 2020.
Yerma, written by poet-playwright Federico García Lorca in 1934, tells the story of a childless wife in rural Spain grappling with pressures surrounding reproduction and gender roles in relation to her husband. The play critiques societies that deny women the ability to choose their life paths — or judge them for their choices.
A visually stunning film, Dune does justice to its source material, Katya Ulyanov ’24 writes, despite sometimes not delving deeply into its characters.
The Repro Japan: Technologies of Popular Visual Culture exhibition, curated by Professor of Comparative and Japanese Literature Christopher Bolton, and open to the public at WCMA until Mar. 20, 2022, navigates the ongoing legacy of Japanese popular culture shaping the production, distribution, and consumption of visual culture across the world.
