Kristen Chou '23 talks about her experiences with visual art and the connections she's made though her practice.

This semester, “Let’s Dance!,” a program in which dance department faculty and students teach ballet at Brayton Elementary School and Pine Cobble School, has gotten back on its feet after the onset of the COVID-19 pandemic forced the program to shut down in March 2020.

Casting announcements for the new live-action adaptation of The Little Mermaid and the Disney+ series Percy Jackson and the Olympians generated controversy about racial representation. Students at the College share their thoughts on race in media and loyal adaptations.

Delgado has participated in many Cap & Bells shows as both a performer and choreographer and is an active member of the dance community.

On Nov. 10, in a packed lecture hall at the Williams College Museum of Art (WCMA), contemporary visual artist and filmmaker Arthur Jafa guided the audience through his early life, artistic influences, and a few select pieces, addressing the themes he tackles in his work.

I left Park Chan-wook’s latest romance-mystery-thriller feeling confused and unsatisfied. It’s true that Decision to Leave is beautifully directed, but the plot leaves much to be desired.

This past weekend, Cap & Bells staged a play about two sisters, and their journey experiencing love, sadness, and hope. Written by Jessica Jiang ’25 and co-directed alongside Sophia Rothman I ’25, Everything Beautiful Here can be best described as a love letter to sisters everywhere.

Following the release of their newest album The Car, it is more apparent than ever that the Arctic Monkeys are not what they once were.

Smino is an artist who refuses to be defined by any one genre. “Don’t classify my genre,” he once wrote on Twitter. “i am the genre.”  Smino’s third studio album, Luv 4 Rent, similarly transcends categorization. Luv 4 Rent isn’t just rap. It’s not just R&B. Instead, it’s just Smino.

Sara Stebbins ’24 reflects on their musical and performance experiences at the College.

On the evening of Oct. 25, Images Cinema offered a one-night screening of In the Eye of the Spiral in conjunction with the Frantz Zépherin: Selected Works exhibition at the Williams College Museum of Art (WCMA). The documentary is split between two functions: detailing the contemporary Haitian art scene and attempting to write a manifesto for Spiralism.

The film Tár at Images Cinema tells the story of a composer-conductor with an impeccable resume who sows the seeds of her own downfall from the upper echelons of the classical music world. Despite grappling with victimhood, reputation, and artistry, I feel Tár fails to deliver all it promises.