I left Park Chan-wook’s latest romance-mystery-thriller feeling confused and unsatisfied. It’s true that Decision to Leave is beautifully directed, but the plot leaves much to be desired.

Robert Eggers’ newest film based on Norse folklore is sure to satisfy fans of Viking dramas, cinematic gore, and Nicole Kidman. A revenge tale of enormous scale, The Northman packs its two-hour runtime...

Tharini Prakash ’23 discusses Licorice Pizza’s strengths and weaknesses and contrasts it with Paul Thomas Anderson’s other films.

While the film is a fairly predictable, somewhat bloated biopic that focuses primarily on Faye, there’s a lot to chew on about codependency, insecurity, naivete, and, of course, the scamming that is so often present in televangelism.

Although at Williams, Ephelia is hailed as being the only cow that really matters, Kelly Reichardt’s tenth film, First Cow, showcases a cow worth competing with. First Cow, an unorthodox drama released in March 2020, tiptoes the line between a Western and a comedy by using the fictional first cow in Oregon as a catalyst for commentary on nature, capitalism, and friendship.

David Fincher’s latest venture MANK, a black and white historical recreation chronicling the writing of Citizen Kane, is a thoughtfully crafted and refreshing departure from the usually bleak and cool-toned...

Williams alum, Jason Hehir (’98) won his first Emmy for The Last Dance (Photo Credit: Yahoo) Last Sunday, the 2020 Emmy Awards, hosted virtually by Jimmy Kimmel from the Staples Center, gave us a...