Yuchan Kim ’24 is a prospective art history major from Seoul, South Korea. He is a section editor for the arts section and has previously served as a staff writer for the arts section.
After writing a 20-page acquisition proposal, delivering a presentation to WCMA staff, and visiting galleries in New York to negotiate prices for the work, I was beyond excited when I learned that the two pieces my classmates and I persuaded the College Museum to purchase were installed in the upstairs galleries.
Corridor ’62 Gallery, intends to use the ’62 Center’s corridor to introduce the College and Town community to the work of artists from underrepresented backgrounds.
If there is one thing I know, it is that you either love Sol LeWitt or hate him. It is difficult to not have an opinion on LeWitt, who came into fame in the late 1960s and worked until he passed away in...
This week, the computer (using a script in R) chose Maki Yoshimura ’22.5, who discussed her love for classical music, biology research, and “real sushi.”
The Repro Japan: Technologies of Popular Visual Culture exhibition, curated by Professor of Comparative and Japanese Literature Christopher Bolton, and open to the public at WCMA until Mar. 20, 2022, navigates the ongoing legacy of Japanese popular culture shaping the production, distribution, and consumption of visual culture across the world.
The Sweaty Concepts exhibition, open now until Dec. 19, shines a light on marginalized people, describing “experiences across gender identity, sexual orientation, race, and ability, that involve making a place for oneself where it does not already exist.”
In the summer of 2021, Poker Flats stopped referring exclusively to the college-owned housing behind Mission Park, as Izzy Lee ’12 and Jared Quinton ’10 co-founded a pop-up art gallery entitled Poker Flats.
This past week, staff writer Yuchan Kim had the opportunity to take a look at Albrecht Dürer’s magnificent prints, along with many other astonishing pieces at the College’s Special Collections department.
The proliferation of mobile devices and the internet ushered in a wind of change for the art world. Now visitors at art museums and galleries around the world can snapshot, record, and access artwork at their convenience. Canadian photographer and sculptor Erin Shirreff asks a question about this seemingly-effortless process that none of us commonly raise: What remains of art when it is translated through different mediums?
To help members of the College community overcome the fatigue of perpetual social distancing, the Williams College Museum of Art (WCMA) partnered with local wellness professionals to hold a month-long series of weekly virtual workshops called “Cures for Strange Times.”
