This theatre department's recent production of Much Ado About Nothing used costumes to bring to life a new interpretation of Shakespeare’s comedy about romance and deception.
This semester, Professors Jim Shepard and John Kleiner taught their famed English course "Hollywood Film" one last time before returning to retirement.
The Record sat down with Mariët Westermann ’84, the new director and CEO of the Guggenheim, at her kitchen table in Williamstown to discuss her journey from the College to the one of the world’s most respected artistic institutions.
The Williams College Museum of Art (WCMA) hired three new curators this year: Christa Clarke, director of curatorial strategy for the new museum project; Dan Byers, curator of modern and contemporary art; and Rachael Nelson, the newest Mellon curatorial fellow.
Zelnick is a New York City-based comedian whose punchy crowd work clips skyrocketed him into TikTok fame, amassing over 37 million likes. Yet excluding a failed Combo Za audition, he never did comedy during his time at the College.
To celebrate Halloween, Images Cinema hosted a screening of the 1922 silent film Nosferatu on Oct. 29 — but it wasn’t your typical movie night. The sold-out event featured a live performance by the Andrew Alden Ensemble, which composed an original score to be played alongside the film.
The Chinese American Student Organization transported attendees to 1920s China during its first-ever Shanghai jazz night on Oct. 26 in Horn Hall. Students dressed in attire inspired by the era and enjoyed jazz performances by students.
Since its founding in 2014, Spring Street Market owner and founder Karen Gosselin has sought to support local artists by displaying their pieces throughout her establishment.
This year’s Cap & Bells Fall Play Festival will present two student-written productions, Fatherland by Kathryn Cloonan ’25 and The Monsters by Stella Rothfeld ’26.
